5th Edition
New Dimensions in Photo Processes A Step-by-Step Manual for Alternative Techniques
Part I. Light-Insensitive Methods
1. Transfers, Lifts, and DIY Printmaking
2. Hand Coloring
3. Toning, by Elaine O'Neil and Laura Blacklow
Part II. Preparation for Light-Sensitive Methods
4. Creating the Photo-Printmaking Studio
5. Generating Imagrey: Analogue Methods
6. Making Negatives: Digital Method, by Joseph Moccia and Laura Blacklow
Part III. Light-Sensitive Methods
7. Cyanotypes
8. Van Dyke Brown Prints
9. Salted Paper Prints, by France Scully Osterman
10. Gum Bichromate Prints
11. Casein Pigment Prints
12. Platinum and Palladium Prints
13. Bromoil Prints, by Gene Laughter
14. Enlargement Emulsions and Tintypes
15. Contemporary Daguerreotypes (Becquerel Process), by Laura Blacklow, with assistance by Tyler Treadwell
16. Visual Hybrids
Glossary
Index
Biography
Laura Blacklow teaches at the School of the (Boston) Museum of Fine Arts at Tufts University. A professional artist for over 40 years, she has received numerous grants and awards; her manipulated photographs are in the collection of the Addison Gallery of American Art, Harvard University's Fogg Museum, Chicago’s Museum of Contemporary Art, and Polaroid’s International Collection. Her work has also appeared in Christina Z. Anderson's Gum Printing and Other Amazing Contact Printing Processes (2017), Robert Hirsch's Exploring Color Photography (2015), and Robert Hirsch's Light and Lens: Photography in the Digital Age (2012).
