242 Pages 29 B/W Illustrations
    by Routledge

    Comics, Activism, Feminisms explores from both historical and contemporary perspectives how comic art, activism, and feminisms are intertwined, and how comic art itself can be a form of activism.

    Feminist comic art emerged with the second-wave feminist movements. Today, there are comics connected to social activist movements working for change in a variety of areas. Comics artists often respond quickly to political events, making comics on topical issues that take a critical or satirical stance and highlighting the need for change. Comic art can point to problems, present alternatives, and give hope.

    Comics artists from all parts of the world engage issues pertaining to feminisms and LGBTQIA+ issues, war and political conflict, climate crisis, the global migrant and refugee situation, and other societal problems. The chapters of this anthology illuminate the aesthetic and thematic aspects of comics, activism, and feminisms globally. Particular attention is given to the work of comics collectives, where Do-it-Ourselves is a strategy among activism-oriented artists, which use a great variety of media, such as fanzines, albums, webcomics, and exhibitions to communicate and disseminate activist comic art.

    Comics, Activism, Feminisms essential anthology for scholars and students of comics studies, literary studies, art history, media studies, and gender studies.

    List of figures

    List of tables

    List of contributors

    Acknowledgements

     

    1. Feminist comics activism: A global phenomenon

    Anna Nordenstam and Margareta Wallin Wictorin

     

    Part I: Activism in comics

    2. The role of performativity in comics as activism. Meaning-making in comic art by Amalia Alvarez and Sara Granér

    Mia Liinason

    3. Becoming an activist in the late 1970s – Tandem artists Gunna Grähs & Eva Lindström as pioneers of Swedish feminist comics

    Kristina Arnerud Mejhammar

    4. “It’s the same story every morning”: Urban Tails, queerness, and the subtle activism of the weekly comic strip

    Kevin Haworth

    5. Exploring ARTivism: Artistic activism and subversion in George Herriman’s “Krazy Kat”

    Daniela Kaufmann

    6. The frontlines of feminist activism in Ukraine: Feminism and the City

    Iryna Pinich and Kristy Beers Fägersten

     

    Part II: Comics as political space

    7. The female body politic and beyond: Feminist utopias and dystopias in American women’s comix from the 1970s

    Małgorzata Olsza

    8. Reimagining gender in Webtoon – queer utopianism in H-P Lehkonen’s Immortal Nerd and its reader-response

    Leena Romu

     9. Comics as art practice: Directly drawing on the wall in a museological context

    Meichen Lu

    10. Feminist comics in circulation. Pénélope Bagieu’s inscription on the Swedish comics landscape

    Ylva Lindberg

     

    Part III: Comics collectives 

    11. Women’s cartoons, comics, and graphic novels through the feminist lenses of DIO and friendship

    Nicola Streeten 

    12. Distant Connections: Connecting to the public through a zine on the gendered pandemic

    Renée B. Adams

    13. Moments of wonder and armies of care: Feminist attachments in Drawing the Line, Indian Women Fight Back!

    Nafiseh Mousavi

    14. Refugee comics and activism as comics work: The collaborative production of comics in the “Illustrating Me” project

    Ralf Kauranen

     

    Index

    Biography

    Anna Nordenstam is Professor of Comparative Literature at the University of Gothenburg.

    Kristy Beers Fägersten is Professor of English Linguistics at Södertörn University.

    Margareta Wallin Wictorin is Reader in Art History and Visual Studies affiliated with Karlstad University.