1st Edition

Digital Creativity: a Reader

Edited By Colin Beardon, Lone Malmborg Copyright 2002
    256 Pages
    by Routledge

    256 Pages
    by Taylor & Francis

    Presenting highlights from five years of the field journal Digital Creativity , this volume republishes twenty-seven contributions from international artists and scientists.

    On digital creativity, Welcome to virtuality, Manifesto for a Digital Bauhaus, The architect's wunderkammer: aesthetic pleasure and engagement in electronic spaces, The student's construction of artistic truth in digital images, What is consciousness for?, The desert of passions and the technological soul, Prosthetics for the mind: augmenting the self with microelectronics, Art of virtual bodies, The next body and beyond: meta-organisms, psycho-prostheses and aesthetics of hybridity, Virtual life: self and identity redefined in the new media age, OSMOSE: notes on being in immersive virtual space, The Sadeian interface: computers and catharsis, Art practice augmented by digital agents, Emergent constructions: re-embodied intelligence within recombinant poetic networks, Artistic communication for A-life and robotics, Technological latency: from autoplastic to alloplastic, Autonomous architecture, Vibrating tectonics: gestural trajectories, energy mappings and self-conditioning design strategies, Q?akeĀ® goes the environment: game aesthetics and archaeologies, Remediating theatre in a digital proscenium, Drama in the digital domain: Commedia dell'Arte, characterisation, collaboration and computers, Interactive dance-making: online creative collaborations, Loa and behold: voice ghosts in the new technoculture, Playing on a holo-stage: towards the interaction between real and virtual performers

    Biography

    Colin Beardon, Lone Malmborg