1st Edition

Ibsen in the Decolonised South Asian Theatre

Edited By Sabiha Huq, Srideep Mukherjee Copyright 2023
    260 Pages 20 B/W Illustrations
    by Routledge

    This book maps South Asian theatre productions that have contextualised Ibsen’s plays to underscore the emergent challenges of postcolonial nation formation.

    The concerns addressed in this collection include politico-cultural engagements with human rights, economic and environmental issues, and globalisation, all of which have evolved through colonial times and thereafter. This book contemplates why and how these Ibsen texts were repeatedly adapted for the stage and consequently reflects upon the political intent of this appropriative journey of the foreign playwright.

    This book tracks the unmapped agency that South Asian theatre has acquired through aesthetic appropriation of Ibsen and thereby contributes to his global reception. This collection will be of great interest to students and scholars of theatre and performance studies.

    Introduction

    SABIHA HUQ AND SRIDEEP MUKHERJEE

    1 Postcolonial Theatre and Ibsen Productions in Pakistan: A Historical Overview

    ASGHAR NADEEM SYED

    2 Intercultural Assimilation of Contraries in Postcolonial South Asia: Fluctuating Movement of Ibsen’s Corpus

    KAMALUDDIN NILU

    3 Constructing a New Identity Space for Women in Post-Colony: Sambhu Mitra’s Production of A Doll’s House

    AHMED AHSANUZZAMAN

    4 Women’s Movement in Pakistan: Tehrik-e-Niswan’s A Doll’s House in Urdu

    ISHRAT LINDBLAD

    5 Nora and the Politics of Gender in the Postcolonial Performance Space in Sri Lanka

    KANCHUKA DHARMASIRI AND KATHIRESU RATHITHARAN

    6 Has the Indian “Doll” Really Evolved?: A Doll’s House on Decolonised Indian Stage(s)

    SRIDEEP MUKHERJEE

    7 Middle-Class Liberal Values and the Bangladeshi National Imaginary: Ibsen’s Ghosts Reconfigured

    MANOSH CHOWDHURY

    8 By Means of Ibsen: Theatre Amidst Rising Fanaticism in Post-Partition India and Bangladesh

    SABIHA HUQ

    9 Kamaluddin Nilu’s Three “Peers”: Relocating Henrik Ibsen’s Peer Gynt in South Asian Contemporaneity

    IMRAN KAMAL

    10 Unheard Voices and Refracted Essence: Bangla Adaptations of An Enemy of the People and The Pillars of Society

    TAPATI GUPTA

    11 A Doll’s House in Nepal: Rationalising the Appropriation of Putaliko Ghar

    MENUKA GURUNG

    12 Peer Ghani and Peechha Karti Parchhaiyan: Negotiating Adaptation and Appropriation

    ASTRI GHOSH

    Index

    Biography

    Sabiha Huq is Professor of English at Khulna University, Bangladesh.

    Srideep Mukherjee is Associate Professor of English at Netaji Subhas Open University, India.