By Desmond Harding
December 09, 2011
Writing the City examines and challenges the traditional transatlantic axis of urban modernism, London-Paris-New York, an axis that has often elided the historical importance of other centers that have shaped metropolitan identities and discourses. According to Desmond Harding, James Joyce's ...
By George Cusack
October 11, 2011
This study examines the early dramatic works of Yeats, Synge, and Gregory in the context of late colonial Ireland’s unique socio-political landscape. By contextualizing each author’s work within the artistic and political discourses of their time, Cusack demonstrates the complex negotiation of ...
By A. Robert Lee
May 16, 2011
The dissident voice in US culture might almost be said to have been born with the territory. Its span runs from Roger Williams to Thoreau, Anne Bradstreet to Gertrude Stein, Ambrose Bierce to the New Journalism, The Beats to the recent Bad Subjects cyber-crowd. In this new study, A. Robert Lee aims...
By Marisa Parham
January 06, 2011
Looking at texts including Jean Toomer’s Cane, Toni Morrison’s Beloved, James Baldwin’s Another Country, and Beat poetry by Bob Kaufmann, in this original study, Parham describes the phenomena of haunting, displacement, and ghostliness as endemic to modern African American literature and ...
By Randy Boyagoda
December 07, 2009
Salman Rushdie once observed that William Faulkner was the writer most frequently cited by third world authors as their major influence. Inspired by the unexpected lines of influence and sympathy that Rushdie’s statement implied, this book seeks to understand connections between American and global...
By Robin Bates
October 21, 2009
Focusing on plays (Richard II, Henry V, and Hamlet) which appear prominently in the writing of the Irish nationalist movement of the early twentieth century, this study explores how Irish writers such as Sean O’Casey, Samuel Beckett, W. B. Yeats, G. B. Shaw, James Joyce, and Seamus Heaney resisted ...
By John Clement Ball
July 09, 2009
Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of "satire" and the "satiric."...
By Danielle Russell
June 16, 2009
In this study, Russell explores the ways in which Willa Cather and Toni Morrison subvert the textual expectations of gendered geography and push against the boundaries of the official canon. As Russell demonstrates, the unique depictions Cather and Morrison create of the American ...
By Tatiana Teslenko
June 16, 2009
This book presents an exploration of the reinvented utopia that provided second-wave feminists of the 1970s with a conceptual space to articulate the politics of change. Tatiana Teslenko argues that utopian fiction of this decade offered a means of validating the personal as well as the political, ...
By Christopher Donovan
June 16, 2009
This book provides a wide-ranging discussion of realism, postmodernism, literary theory and popular fiction before focusing on the careers of four prominent novelists. Despite wildly contrasting ambitions and agendas, all four grow progressively more sympathetic to the expectations of a mainstream ...
By Christopher McBride
June 16, 2009
Looking at a diverse series of authors--Herman Melville, Richard Henry Dana, Jr., Mark Twain, Charles Warren Stoddard, and Jack London--The Colonizer Abroad claims that as the U.S. emerged as a colonial power in the nineteenth and twentieth centuries, the literature of the sea became a literature ...
By Patricia Ross
June 16, 2009
Examining the constituting mechanism of the American wilderness myth in Modern American literature, Patricia Ross probes the various purposes for which 'wilderness' is constructed. Considering the work of Hemingway, Faulkner, and Cather, she states that the idea of wilderness is just that, an idea,...