2nd Edition

Media Theory for A Level The Essential Revision Guide

By Mark Dixon Copyright 2024
    294 Pages 7 B/W Illustrations
    by Routledge

    294 Pages 7 B/W Illustrations
    by Routledge

    Media Theory for A Level provides a comprehensive introduction to the 19 academic theories required for A Level Media study.

    From Roland Barthes to Clay Shirky, from structuralism to civilisationism, this revision book explains all the core academic concepts students need to master to succeed in their exams. Each chapter contains comprehensive explanations of the academic ideas and theories specified for GCE Media study as well as practical tasks, higher level ‘challenge activities’, glossaries, reference tables and revision summaries.

    The second edition of this best-selling guide features:

    • Updated and revised chapters and exemplars, reflecting the new A Level Media specification (AQA, Eduqas, OCR and WJEC).
    • Overviews of core areas and potential approaches that could be taken in exam responses.
    • Overviews of secondary theory that can be used in responses.

    This book is key reading for teachers and students of A Level Media Studies and is also a useful resource for GCSE students.

    Media Theory for A Level is accompanied by the www.essentialmediatheory.com website that contains a wide range of supporting resources including revision flashcards, worksheets and more exemplar applications of theory to current set texts.

    Media language

    1. Semiotics: Roland Barthes

                Concept 1: Denotation and connotation

                Concept 2: The media’s ideological effect

    2. Structuralism: Claude Lévi-Strauss

                Concept 1:Binary oppositions

                Concept 2: Binary oppositions and ideological significance

    3. Narratology: Tzvetan Todorov

                Concept 1: The three-act ideal

                Concept 2: The ideological effects of story structure

    4. Genre theory: Steve Neale

                Concept 1: Repetition and difference

                Concept 2: Industry effects on genre-driven content

    5. Postmodernism: Jean Baudrillard

                Key concept: The real and the hyperreal

     

    Media representation

    6. Representation: Stuart Hall

                Concept 1: Media representation processes

                Concept 2: Stereotypes and power

    7. Postcolonial theory: Paul Gilroy

                Concept 1: Racial binaries, otherness and civilisationism

                Concept 2: The legacy of empire and British identity

    8. Feminist theory: Liesbet van Zoonen

                Concept 1: The female body as spectacle

                Concept 2: Masculinity in the media

    9. Intersectionality: bell hooks

                Concept 1: Interconnected oppression

                Concept 2: hooks’ call to action

    10. Gender as performance: Judith Butler

                Concept 1: Gendered identities are constructed through repetition and ritual

                Concept 2: Gender subversion and gendered hierarchies

    11. Media and identity: David Gauntlett

               Concept 1: Traditional and post-traditional media consumption

                Concept 2: Reflexive identity construction

     

    Media industries

    12. Ownership effects: James Curran and Jean Seaton

                Concept 1: Media concentration

                Concept 2: Effects of concentration on media content

                Concept 3: Diverse ownership creates diverse products

    13. Regulation: Sonia Livingstone and Peter Lunt

               Concept 1: Citizen and consumer models of media regulation

                Concept 2: Regulation in the globalised media age

    14. The culture industry: David Hesmondhalgh

                Concept 1: Maximising profits and minimising risks

                Concept 2: The effects of the internet revolution are difficult to diagnose

     

    Media audiences

    15. Media modelling effects: Albert Bandura

                Concept 1: Violent behaviours are learned through modelling

                Concept 2: Audiences copy media modelling

    16. Cultivation theory: George Gerbner

                Concept 1: Fear cultivation

                Concept 2: Media consumption leads audiences to accept mainstream ideologies

    17. Reception theory: Stuart Hall

               Concept 1: Encoding and decoding

                Concept 2: Dominant, negotiated and oppositional decoding

    18. Fandom: Henry Jenkins

                Concept 1: Fan appropriation

                Concept 2: Audience–producer convergence in the digital age

    Concept 3: Fans use participatory culture to effect wider social change

    19. The end of audience: Clay Shirky

                Concept 1: Everybody makes the media

                Concept 2: Everyday communities of practice

     

    Bibliography

    Index   

    Biography

    Mark Dixon is an Eduqas A Level examiner and Head of Media and Film at Durham Sixth Form Centre. He is also a freelance author, and has written for The Guardian, TES, Media Magazine and Teach Secondary as well as authoring a range of digital resources for Eduqas Media.