This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Considering Shakespeare alongside topics such as religion, politics, gender, race, ecology, popular culture, and history, titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.
By Sidney Homan
June 29, 2023
Sidney Homan defines a pivotal line as “a moment in the script that serves as a pathway into the larger play … a magnet to which the rest of the play, scenes before and after, adheres.” He offers his personal choices of such lines in five plays by Shakespeare and works by Beckett, Brecht, Pinter, ...
By Jonas Kellermann
May 31, 2023
Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable" love in one of the most famous love stories in ...
Edited
By Mark Bayer, Joseph Navitsky
May 31, 2023
Shakespeare and Civil Unrest in Britain and the United States extends the growing body of scholarship on Shakespeare’s appropriation by examining how the plays have been invoked during periods of extreme social, political, and racial turmoil. How do the ways that Shakespeare is adapted, studied, ...
By Christian A. Smith
May 31, 2023
This volume presents a close reading of instances of Shakespearean quotations, allusions, imagery and rhetoric found in Karl Marx’s collected works and letters, which provides evidence that Shakespeare’s writings exerted a formative influence on Marx and the development of his work. Through a ...
By Kelsey Ridge
May 31, 2023
This volume presents a fresh look at the military spouses in Shakespeare’s Othello, 1 Henry IV, Julius Caesar, Troilus and Cressida, Macbeth, and Coriolanus, vital to understanding the plays themselves. By analysing the characters as military spouses, we can better understand current dynamics in ...
By Valerie M. Fazel, Louise Geddes
May 31, 2023
The Shakespeare Multiverse: Fandom as Literary Praxis argues that fandom offers new models for a twenty-first century reading practice that embraces affective pleasure and subjective self-positioning as a means of understanding a text. Part critical study, part source book, The Shakespeare ...
By Jonathan P. A. Sell
January 09, 2023
Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023 Shakespeare’s Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and...
By Jonathan P. A. Sell
January 09, 2023
Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023 Shakespeare’s Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, ...
By Jonathan Locke Hart
January 09, 2023
Shakespeare, the Renaissance and Empire: Poetry, Philosophy and Politics is the second volume of this study and builds on the first, which concentrated on related matters, including geography and language. In both volumes, a key focus is close analysis of the text and an attention to Shakespeare’s...
By Jonathan Locke Hart
September 26, 2022
Shakespeare, the Renaissance and Empire presents Shakespeare as both a local and global writer, investigating Shakespeare’s trans-cultural writing through the interrelations and interactions of binaries including theory and practice, past and present, aesthetics and ethics, freedom and tyranny, ...
Edited
By Matteo Pangallo, Peter Kirwan
September 26, 2022
Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts...
By Swapna Koshy
May 30, 2022
This book adds a unique eastern perspective to the ever growing corpus of Shakespeare criticism. The ancient Sanskrit theory of Rasa – the aesthete’s emotional response to performing arts – is explicated in detail and applied to Shakespeare’s tragic masterpieces. Bharata, who wrote about Rasa in ...