1st Edition

The Animation Smears Book Uncovering Film's Most Elusive Technique

By Christian Avender Copyright 2025
    280 Pages 296 B/W Illustrations
    by CRC Press

    280 Pages 296 B/W Illustrations
    by CRC Press

    Throughout cinema, there have been various techniques to depict motion, and one style in particular is the fascinating use of smears in animation. Incredibly popular and captivating to artists, these animation smears are frames that creatively replicate motion blur captured on film which is the phenomena that we commonly observe in our everyday life.

     

    The vast world of different techniques for smears are explored in this book, expanding way beyond their commonly believed starting point in the 1940s to their actual origins that date back to the beginning of art history with illustrations and prototypes that led to their usage in some of the earliest known theatrical animations.

     

    The Animation Smears Book: Uncovering Film's Most Elusive Technique is a comprehensive guide that provides extensive information on the stylistic and creative aspects of smears and their impact on how they make use of the way we perceive motion. Additionally, it also reveals the names of artists who helped develop them and the original techniques that they used.

     

    Thoroughly examined by a professional animator, the animation smear is discussed how it is such a versatile technique used in all forms of animation including 3D and stop-motion. It answers all of your questions that you ever had about them and brings clarity to this simple yet mysterious trick that has puzzled fans, scholars, and historians for centuries

    Chapter 01 Introduction

    Going Forward: The Pursuit of Movement

    Chapter 02 What is an Animation Smear?

    The Origination

    The Foundation

    Winsor McCay

    Jim Tyer

    Animator Skill Sets

    The Requirements

    The Limits

    Chapter 03 Prelude: Portraying Motion in Art Before Film

    Chapter 04 Part One: The Introduction of Film

    Multiples

    Trails

    Line Smears

    Abstract Smears

    Chapter 05 Part Two: The Study of Movement

    Long & Mini Smears

    Take Smears

    Reverb/Stagger Smears

    Blocking Smears

    Transparent Smears  

    Joint Smears  

    Chapter 06 Part Three: Influence & Application from Modern Art        

    Cycle Smears

    Wipes 

    Shavings        

    Projection Smears     

    Running/Flutter Smears        

    Blotch Smears

    Hook Smears 

    Direct Smears

    Chapter 07 Part Four: The Digital Age

    Automated Smears

    Solid Drybrush           

    Blurred Smears          

    Library Smears          

    Multi-Layered Smears

    Chapter 08 Part Four Extended: 3D Animation Smears

    Stop-Motion Smears

    Skewing

    Conjoined & Duplication

    Snapping

    Chapter 09 Certain Action Examples

    Single Frame

    Multiple Frames

    Chapter 10 Master Animator Methods

    Disney Styles

    Warner Bros. Styles

    Japan Styles

    End Note

    Chapter 11 What Are NOT Smears

    Gimmicks that Distort the Model

    Techniques that Don’t Distort

    Non-Animation Factors

    Chapter 12 Smears Outside of Animation

    Chapter 13 Conclusion

     

    Terminology

    Credits, References & Thanks

    Biography

    Christian Avender is a Canadian industry animator with experience on shows from Netflix, Paramount, Warner Bros. and more. Independently researched since 2011, the author provides a better understanding of a commonly overlooked art technique that is still being used in animation today. With years of animation history experience, university education and citing from actual different examples of smears, the author provides a comprehensive understanding of this art technique than ever detailed before in a publication. As an active member of the animation industry and productions, the book features collaborations with other artists and workers to help with the design and to showcase the versatility of animation smears in different settings. With over a dozen animation techniques, it provides as a valuable resource for art institutions as well as serve as a bigger picture alongside other instructional books in animation. The author shows how a larger understanding of action and motion blur in art has been sitting dormant for years, as it is revealed in this book which is the first of its kind dedicated exclusively to the underappreciated art of animation smears.